Resume of Chen Hsin-liang
Dr. Chen Hsin-liang has been studying calligraphy, engraving art, the forms of ancient Chinese characters for more than 20 years. Chen has been paying attention to such fields as archeological relics, Chinese characters inscribed on stone slabs or metal objects, characters written in ink, digital archives and information processing. In recent years, he has been focusing on the evolution and development of Chinese characters in Qin and Han dynasties, research and application of historical materials and analysis of the graphic forms of characters.
Chen obtained the master of fine arts degree from the College of Fine Art of National Taiwan University of Arts (NTUA) and the calligraphy doctor degree from Japan’s Daito Bunka University (Title of the thesis: The Evolution and Analysis of Characters Inscribed on Bamboo slips in Qin and Han Dynasties). Chen has been granted scholarships and grants by the National Science Council (NSC) for research projects. Such scholarships included the scholarship offered by the Mainland Affairs Council for assisting students for research in China, the Fu Juan-fu Scholarship for Ink Painting sponsored by the National History Museum. Chen has served as a research assistant of research projects sponsored by the NSC. Chen has been teaching calligraphy, the inscribing art, and the writing of Chu and Qin bamboo slips.
In 2012, Chen set up a research INDEX website (www.mebag.com/index) containing research documents, Chinese characters and lexicons, totaling about 500 categories. The website provides a research cooperation platform for world professionals in the fields of ancient characters, graphic arts, and information technology.
Chen is responsible for the project of “the Evolution of Chinese Family Names and Origins of Family Names” sponsored by the National Palace Museum. The project collects 12 different Chinese characters’ writing styles including oracle bone scripts, scripts on bronzeware, and regular scripts. The original meanings of such characters were also included as a part of the project, which covers 521 family names and was completed in July of 2013.
Chen masters in a wide variety of application software packages and their applications. Armed with such capability, Chen is versed in digitizing Chinese characters in various styles including characters written on silk fabrics, bamboo slips, inscribed on bronzeware and stone slabs. In addition to such rich hands-on experience, Chen is an expert in the processing and application of lost or obsolete Chinese characters. Chen is enthusiastic in imparting his expertise to students with practical teaching courses.
So far Chen has published dozens of theses on ancient characters, calligraphy and inscription art. Based on the comprehensive databases of graphic art and references, Chen reaches the depth of “insightful research” with the application of the latest information technology.
陳信良歷年學術期刊論文下載處
網址：https://www.mebag.com/20/pdf
Blog：https://ebag2007.blogspot.com/
YT：https://www.youtube.com/user/ebag0910
這裡不定時更新期刊論文，提供pdf檔案下載。請尊重個人著作權，引用請註名出處來源。
陳信良簡介
陳信良。書法、篆刻藝術等古文字造形創作研究逾二十年，長期關注考古文物、金石碑版、墨跡文字、數位化典藏與資訊處理等學門領域。近年專注秦漢墨跡文字的演進發展，史料文獻與文字造形分析研究與應用。
國立臺灣藝術大學造形藝術研究所藝術碩士，日本大東文化大學書道學博士。曾獲國科會補助大專學生參與專題研究計畫、行政院陸委會「獎助研究生赴大陸地區研究獎助」、國立歷史博物館「傅狷夫水墨畫獎助學金」水墨畫理論組獎學金，擔任國科會專題研究案計畫研究助理等。教授書法產業、篆刻藝術、楚簡、秦簡文字等書法創作課程。
二〇一二年創辦「引得市」，開放各種研究文獻、字辭典等索引，累計近五百種。持續與海內外古文字、造形藝術、資訊科技等各領域專業人才協同合作。負責國立故宮博物院「百家姓字形演變與姓氏源流」，從甲骨、金文至楷書等十二種字體之選擇與編纂，字義源流撰寫。前後共完成五百二十一個姓氏，計畫執行結束於二〇一三年七月。（於故宮書畫多媒體室大電視牆中展示文字演變過程）
具備最新各種軟體操作技術與應用能力，與古文字、書法、篆刻等文字造形美感經驗配合，著重內容精緻與還原度，無論是簡帛文字、金石碑刻拓片圖版的數位化，皆有豐富實際處理經驗，尤其「古文字缺字」的處理與應用，配合教學科目積極培養後進。迄今為止已發表十餘篇古文字、書法篆刻藝術相關論文。在造形藝術與文獻史料蒐集完備的研究基礎下，活用各項最新的資訊技術，達到古人所謂「洞察」之深度研究。
Resume of Chen Hsin-liang
Dr. Chen Hsin-liang has been studying calligraphy, engraving art, the forms of ancient Chinese characters for more than 20 years. Chen has been paying attention to such fields as archeological relics, Chinese characters inscribed on stone slabs or metal objects, characters written in ink, digital archives and information processing. In recent years, he has been focusing on the evolution and development of Chinese characters in Qin and Han dynasties, research and application of historical materials and analysis of the graphic forms of characters.
Chen obtained the master of fine arts degree from the College of Fine Art of National Taiwan University of Arts (NTUA) and the calligraphy doctor degree from Japan’s Daito Bunka University (Title of the thesis: The Evolution and Analysis of Characters Inscribed on Bamboo slips in Qin and Han Dynasties). Chen has been granted scholarships and grants by the National Science Council (NSC) for research projects. Such scholarships included the scholarship offered by the Mainland Affairs Council for assisting students for research in China, the Fu Juan-fu Scholarship for Ink Painting sponsored by the National History Museum. Chen has served as a research assistant of research projects sponsored by the NSC. Chen has been teaching calligraphy, the inscribing art, and the writing of Chu and Qin bamboo slips.
In 2012, Chen set up a research INDEX website (www.mebag.com/index) containing research documents, Chinese characters and lexicons, totaling about 500 categories. The website provides a research cooperation platform for world professionals in the fields of ancient characters, graphic arts, and information technology.
Chen is responsible for the project of “the Evolution of Chinese Family Names and Origins of Family Names” sponsored by the National Palace Museum. The project collects 12 different Chinese characters’ writing styles including oracle bone scripts, scripts on bronzeware, and regular scripts. The original meanings of such characters were also included as a part of the project, which covers 521 family names and was completed in July of 2013.
Chen masters in a wide variety of application software packages and their applications. Armed with such capability, Chen is versed in digitizing Chinese characters in various styles including characters written on silk fabrics, bamboo slips, inscribed on bronzeware and stone slabs. In addition to such rich hands-on experience, Chen is an expert in the processing and application of lost or obsolete Chinese characters. Chen is enthusiastic in imparting his expertise to students with practical teaching courses.
So far Chen has published dozens of theses on ancient characters, calligraphy and inscription art. Based on the comprehensive databases of graphic art and references, Chen reaches the depth of “insightful research” with the application of the latest information technology.